Richard Lippke |
When I signed on to teach at CVI in
1969, I was a boob from South Dakota .
One of the first lessons I learned was that there were more boobies (of the
winged kind) in the Virgin Islands, than boobs in the entire states of the land-locked
Dakotas , (about 650,000). Interesting -- but
relevant?
Lesson 2 - In 1969, no orientation
could possibly prepare you for the difficulty you would have in gathering
materials, supplies, tools, spaces to store them and to work in, with a flock
of willing students to meet you there to build a stage set for my speech and
theatre colleague, Jim Duderstadt's proposed (November) production of My Three Angels, a charming play with a
Caribbean setting, a good choice. Or so I thought.
I
Lesson 3 - Mauricio Escardo. The man
with the musical name. (All speech teachers know you have to say it aloud to
fully appreciate it.) He it was who chaired the Humanities Division and lured
me to this special island, and for that I'm eternally grateful. But he couldn't
really help me to avoid my pending first semester disaster.
Lesson 4 - Have faith. A gentle giant,
Mr. Peets, could and did. Many, many thanks to Mr. Peets, his crew, his boss,
and all the other like-minded (faculty and staff), who, when able to help, did.
Lesson 5 - The Show Must Go On? Not
true. Unlucky Jim Duderstadt lost a key performer in the play -- the guy
totally disappeared from the island, a week before opening, and the production
had to be postponed, later cancelled. Very lucky for me, my first-semester capability
was not immediately destroyed.
Lesson 6 - When possible, avoid fires
on campus, especially indoors. Yes, in late 1969 or early 1970, there was a
fire between the Little Theatre and (Mr. Watlington's) the Registrar's Office.
I can attest to smoke and soot when I, later, was stringing lighting cables
from the stage to the lighting (film, sound control) booth. Some students and I
did a readers’ theatre presentation in the theatre, whether before or after the
fire, I can not recall.
Lesson 7 - Improvise. I do recall that
we (classes, students, and I) were not able to use the theatre for months, so
(necessity breeds invention) I improvised an interim "Theatre
Service" course (and got a small enrollment). We headquartered -- thanks
to many, I'm sure -- in one of the corner rooms (open-air) of the Paiewonsky
Library. There, we collectively put together an in-the-classroom-interactive
presentation we called "Cp. & Ct." [comparison and contrast] which
jibed with aspects of the required basic English course at the time.
To this day, I remember the often
wonderful contributions to that project. (Corollary lesson for boobs: never
underestimate the capability of your students.)
I was pleased and proud that we few
had kept alive the spirit and ideas of theatre at CVI. And then, in 1970, a wee
woman, who would become the backbone and spirit of theatre at UVI for
twenty-five years, Rosary E. Harper, joined the speech and theatre faculty.
Richard Lippke - 1970 CVI Yearbook |
Though never a great fan of Alfred Tennyson,
the English poet, I've always responded to his Ulysses who says: "I am a
part of all that I have met." How true that has been in my personal and
professional Odyssey, forty-four years as a teacher, especially that five-year
adventure from the prairies of Dakota on the island of St. Thomas .
Dr. Richard L. Lippke is now Professor Emeritus at
What a great Professor I had at IU Southeast in the 80's. Single handedly kept me in school, and I ended up with a BA in Speech and Theatre. A great person!
ReplyDeletePaul Fagan
Yes, I agree! I had him 1985 - 1989 and earned my BA in Communications.
DeleteAnd I am Marianne R. Brown Webster who is pround to have my B.A. from IUSoutheast in 1989 in Comuunications with minor in Theater as well as a .S. Recreational Leadership. Is Dr. Lippke still at UVI? I thought highly of him! :)
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